My artistic practice consists of actions such as making, transforming, collecting, manipulating or assembling materials. These gestures contribute to my research on the materiality. By experimenting with many photographic techniques and other mediums such as drawing, video or writing, I form installations, photographic films or book objects.
My interest in the vernacular and the hard sciences and humanities, leads me to a work of archival exploration, field photography and experimentation. By showing the aesthetic and symbolic potential in these areas, I emphasize their heritage importance and their various contributions to the world today. These manipulations generate a lexicon of correspondences between imaging processes and the functioning of our ecosystem. This is evoked by way of representations of objects and raw terrestrial materials. Analogies and confrontations construct a network of meanings with multiple degrees of interpretation. The space produced in the works is hybrid, as a sensitive gaze coexists with analytical and quantified data. This dual approach allows me to question our place in an increasingly codified living environment and to find through the experience of the artistic works of the forms of "being in the world" acceptable and perennial.